Yōhen Shikō Incense Burner by Kamada Kōji
Tenmoku holds an honored position in the history and development of tea ceremony in Japan. Tenmoku bowls were first introduced in the 13th century by Buddhist monks returning from their studies in China. They were highly regarded among the Ashikaga shogun, warriors as well as avid tea practitioners, who used them extensively in the evolving art of chanoyu, or Japanese tea ceremony.
Through constant experimentation, Kamada Kōji has elevated tenmoku to an even higher level of refinement with the introduction of several signature glazes, each one adding another facet to the incredible diversity of his art. Yōhen shikō is one of the proud new members to his growing glazing repertory.
Reminiscent of the type used by the imperial courts of old, this incense burner (kōrō) is done in yōhen shikō. Heat within the kiln serves as the catalyst for a complex reaction between wood ash, iron oxide and the minerals in the clay body, and the resulting effect is simply transcendent. Like a veiny moth's wing in the sunlight, it radiates blended hues of bronze, gold and purple.
The base is deftly formed to flare outward, much like a summer tea ceremony bowl, effectively showing the character of the glaze in all of its splendor.
Although kōro of this type are traditionally used for holding pieces of smoldering charcoal upon which powdered incense is burned, this piece can easily accommodate stick types as well. Incense is used while the lid is off, wafting through the holes for a time when the lid is replaced.
Kamada Kōji's tenmoku works are held in private collections around the world and, in 2005, were acquired by New York's Metropolitan Museum of Art for display in their Asian Art collection.